Ibrahim Moussa - Wikidata
She divorced Ibrahim Moussa in and married Jones the same year. Nastassja Kinski and Ibrahim Moussa dating history powered by Who's Dated Who. married his father, an Egyptian film producer named Ibrahim Moussa. all this off to a later date except, "I heard you'd come all the way from England. Benignly, one fan site on the internet hymns her as 'an anima woman. Dating Web Site · Main · Videos; Ibrahim moussa dating services. Outside his eye he groomed offstage artful outside a way that is annoyingly boob amongst men.
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You do right choices, and you do wrong choices. I just went on living, and things happened. And that's why I feel that now I've done The Claim [her latest film] with all these wonderful actors, it's such a relief. Because you can't always do things of such quality; I can't say that happens all the time.
It hasn't — not for me. But she's also referring to the fact that, at the age of 23, she became pregnant, had a son, Aliosha, and married his father, an Egyptian film producer named Ibrahim Moussa. The couple also had a daughter, Sonia, now 14, but divorced in and are currently at war: Kinski refers to him as "that person".
Kinski has another daughter, Kenya, aged six, by Quincy Jones, the record producer. She and Jones are no longer together; their relationship, however, is "fine". Still, many actresses have children when they're 23 and pursue super-stardom as relentlessly as they did before their pregnancy.
Kinski, the abandoned child, was different. And now that I had little kids, that's what I wanted to do: And not not be there. Kinski used once to rhapsodise about her relationship with her mother: In this jungle around us she protects me, like the lion's mother.
When we talk, it's total ecstasy. She decided to go another way, she chose a different life from being with us. She is often referred to as a poet: But she never publishes.
Because I think she's scared.
So it's safer to keep it all to herself. But I say to her, to be alive is to communicate. Before our interview, she had sat for more than half an hour, hidden behind the tinted windows of a black limousine, talking into her mobile.
At length, the car door opened and she appeared, the Motorola Nextel still clutched to her chestnut-brown hair. Gesticulating fiercely, she paced up and down the Hollywood pavement, a blue-grey sleeveless Puffa jacket over her light-blue shirt, a large Louis Vuitton bag slung over her shoulder.
Nastassja Kinski interview: 'I've had such low self-esteem'
She was agitated, and she was emphatic; later, on her knees before the photographic shoot, she continued her impassioned dialogue over the mobile, urgent and distraught: I'm putting so much love and so much care and so much time. It just makes me sad. She has, she says, had bronchitis; she's on "big antibiotics"; she has a hacking cough; she'd have put all this off to a later date except, "I heard you'd come all the way from England.
She's still only 39, and she's still very lovely. Yet, in The Claim, she plays a tubercular mother in the California Gold Rush ofcoughing blood and allowing the British director, Michael Winterbottom, to shoot some unforgiving close-ups of her big-boned, big-lipped, big-eyed face. It wasn't always thus. Benignly, one fan site on the internet hymns her as 'an anima woman, a goddess archetype as old as mankind, embracing something deeply embedded in our collective unconscious.
At 12, having been talent-spotted in a disco in Munich by Wim Wenders's wife, she appeared topless, and the victim of a grown man's half-hearted slap, in Wenders's Wrong Movement ; at 14 she played the young nun, writhing in lust, by whom the satanist Christopher Lee pined to have a child in To The Devil A Daughter ; at the same age she had the lead in Wolfgang Petersen's Reifezeugnisplaying a schoolgirl who has an affair with her teacher; two years later she was, again, a naughty schoolgirl in The Passion Flower Hotel — "I'd like to find every copy of that film and burn them" — and, that same year, she appeared naked with Marcello Mastroianni in the execrable Stay As You Are.
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Had she, in some way, felt abused? I wouldn't allow certain people to say certain things or to try certain things. That's why when Roman [Polanski] came along and gave me Tess, it was like.
And then when we did the movie he said, "I really want you to do this for me, because I wanted to do it for my wife [the murdered actress, Sharon Tate], and it means so much to me. But the only way you can do the film is to show you'll learn the [Wessex] accent, so I'm going to send you to England for four, five, six months and when you come back we'll do the test. It was all very serious. He was a very severe person, in the best sense.
I can say that I loved him, and always will. Who took me seriously and gave me a lot of strength. After Klaus left inavaricious for extramarital sex, Biggi roamed the world and then, in her hippy-trippy way — "My mom didn't really have anything and she couldn't work. I don't remember why" — abandoned Nastassja to her own devices back home in Germany.
So Nastassja sought her attention.
She stole, and took her booty home to mummy. She rode the buses without paying. And she was caught, time and again. When the writs came, she and her mother ignored them. Then, when Nastassja's face became famous, the authorities arrested her at the airport and popped her into pokey the juvenile version.
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