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SOSPITE - Definition and synonyms of sospite in the Italian dictionary

The Pantheon is a former Roman temple, now a church, in Rome, Italy, on the site of an earlier Its date of construction is uncertain, because Hadrian chose not to inscribe the new temple but rather to dedicated to "St. Mary and the Martyrs" (Latin: Sancta Maria ad Martyres) but informally known as "Santa Maria Rotonda". offers the finest in Latin Dating. Meet over Latin members from Colombia, Mexico, Costa-Rica, Brazil and more for Dating and Romance. juvenes nuper 3ospites, i. e. qui nuper sospites redierunt e bello, Hor.: navis sospes hehee, adj., (y a date. coiour, reddish-broium, ehesfnrtt. brown ; Virg. II.

An alternative theory is that he received at least some training from Timoteo Vitiwho acted as court painter in Urbino from Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas.

An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. It was commissioned in and finished in ; now only some cut sections and a preparatory drawing remain. He very probably also visited Florence in this period.

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These are large works, some in frescowhere Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michaeland he began to paint Madonnas and portraits. Although there is traditional reference to a "Florentine period" of about —8, he was possibly never a continuous resident there.

There is a letter of recommendation of Raphael, dated Octoberfrom the mother of the next Duke of Urbino to the Gonfaloniere of Florence: And because his father was most worthy and I was very attached to him, and the son is a sensible and well-mannered young man, on both accounts, I bear him great love Frescos in Perugia of about show a new monumental quality in the figures which may represent the influence of Fra Bartolomeowho Vasari says was a friend of Raphael.

But the most striking influence in the work of these years is Leonardo da Vinciwho returned to the city from to Raphael's figures begin to take more dynamic and complex positions, and though as yet his painted subjects are still mostly tranquil, he made drawn studies of fighting nude men, one of the obsessions of the period in Florence.

Another drawing is a portrait of a young woman that uses the three-quarter length pyramidal composition of the just-completed Mona Lisabut still looks completely Raphaelesque. Another of Leonardo's compositional inventions, the pyramidal Holy Family, was repeated in a series of works that remain among his most famous easel paintings. There is a drawing by Raphael in the Royal Collection of Leonardo's lost Leda and the Swanfrom which he adapted the contrapposto pose of his own Saint Catherine of Alexandria.

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Pantheon, Rome - Wikipedia

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Much fine external marble has been removed over the centuries - for example, capitals from some of the pilasters are in the British Museum. In the early 17th century, Urban VIII Barberini tore away the bronze ceiling of the portico, and replaced the medieval campanile with the famous twin towers often wrongly attributed to Bernini [37] called "the ass's ears," [38] which were not removed until the late 19th century.

The marble interior has largely survived, although with extensive restoration.

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Kirchliche Baukunst des Abendlandes. Verlag der Cotta'schen Buchhandlung — The interior of the Pantheon in the 18th century, painted by Giovanni Paolo Panini. Among those buried there are the painters Raphael and Annibale Carraccithe composer Arcangelo Corelliand the architect Baldassare Peruzzi.

In the 15th century, the Pantheon was adorned with paintings: Filippo Brunelleschiamong other architects, looked to the Pantheon as inspiration for their works.

Most of the bronze was used to make bombards for the fortification of Castel Sant'Angelowith the remaining amount used by the Apostolic Camera for various other works.

It is also said that the bronze was used by Bernini in creating his famous baldachin above the high altar of St. Inthe broad frieze below the dome with its false windows was "restored," but bore little resemblance to the original.