Radiocarbon dating of the Shroud of Turin - Wikipedia
An earthquake in Jerusalem in AD 33 may have caused an atomic reaction which created the Turin Shroud and skewed radiocarbon dating. For example the Lier Shroud was a linen copy of the Shroud of Turin. The Holy See officially agreed with the Radio Carbon dating result in. But since some have refused to believe the bishop's findings, or the carbon dating showing the shroud was from the medieval, not the.
Also present were Cardinal Ballestrero, four priests, archdiocese spokesperson Luigi Gonella, photographers, a camera operator, Michael Tite of the British Museum, and the labs' representatives. An outer strip showing coloured filaments of uncertain origin was discarded.Documentary - BBC — Shroud of Turin
The other half was cut into three segments, and packaged for the labs in a separate room by Tite and the archbishop.
The lab representatives were not present at this packaging process, in accordance with the protocol. The labs were also each given three control samples one more than originally intendedthat were: Official announcement[ edit ] In a well-attended press conference on October 13, Cardinal Ballestrero announced the official results, i.
The official and complete report on the experiment was published in Nature. Colonetti', Turin, "confirmed that the results of the three laboratories were mutually compatible, and that, on the evidence submitted, none of the mean results was questionable.
Radiocarbon Dating of the Shroud of Turin
Since the C14 dating at least four articles have been published in scholarly sources contending that the samples used for the dating test may not have been representative of the whole shroud. Rogers took 32 documented adhesive-tape samples from all areas of the shroud and associated textiles during the STURP process in On 12 DecemberRogers received samples of both warp and weft threads that Luigi Gonella claimed to have taken from the radiocarbon sample before it was distributed for dating.
The actual provenance of these threads is uncertain, as Gonella was not authorized to take or retain genuine shroud material,  but Gonella told Rogers that he excised the threads from the center of the radiocarbon sample. He stated that his analysis showed: The main part of the shroud does not contain these materials. Based on this comparison Rogers concluded that the undocumented threads received from Gonella did not match the main body of the shroud, and that in his opinion: It may not have taken us long to identify the strange material, but it was unique amongst the many and varied jobs we undertake.
She has rejected the theory of the "invisible reweaving", pointing out that it would be technically impossible to perform such a repair without leaving traces, and that she found no such traces in her study of the shroud. Gove helped to invent radiocarbon dating and was closely involved in setting up the shroud dating project. He also attended the actual dating process at the University of Arizona.
Gove has written in the respected scientific journal Radiocarbon that: If so, the restoration would have had to be done with such incredible virtuosity as to render it microscopically indistinguishable from the real thing. Even modern so-called invisible weaving can readily be detected under a microscope, so this possibility seems unlikely. It seems very convincing that what was measured in the laboratories was genuine cloth from the shroud after it had been subjected to rigorous cleaning procedures.
Probably no sample for carbon dating has ever been subjected to such scrupulously careful examination and treatment, nor perhaps ever will again. Atkinson wrote in a scientific paper that the statistical analysis of the raw dates obtained from the three laboratories for the radiocarbon test suggests the presence of contamination in some of the samples.
They examined a portion of the radiocarbon sample that was left over from the section used by the University of Arizona in for the carbon dating exercise, and were assisted by the director of the Gloria F Ross Center for Tapestry Studies.
Turin Shroud: the latest evidence will challenge the sceptics | Catholic Herald
They found "only low levels of contamination by a few cotton fibers" and no evidence that the samples actually used for measurements in the C14 dating processes were dyed, treated, or otherwise manipulated.
Like a tennis ball, the hypotheses are whacked back and forth. One scientist proposes a new idea of how the mysterious Shroud could have been produced only to have another researcher argue that it was impossible. In the Shroud was subjected to carbon dating technology which dated it to the 13th century.
Predictably, the result has been criticised for a range of reasons. The most recent critique argues that the samples used for the test were taken from an edge of the Shroud that was not simply patched in the middle ages, but patched with a difficult-to-detect interweaving.
The Carbon tests it is argued were therefore compromised.
Turin Shroud may have been created by earthquake from time of Jesus
A different sort of dating test was conducted by Giulio Fanti of Padua University in This technology uses infra-red light and spectroscopy to measure the radiation intensity through wavelengths, and from these measurements a date can be calculated.
However, a good detective does not rely on one piece of evidence. Instead he gathers and weighs all the facts.
Here are the pieces of evidence which I find compelling. It is not a stain, nor is it painted on the Shroud. It is not burned on in a conventional heat application method. Instead it is seared on to the cloth with a technology that has yet to be explained. The image of the man on the Shroud can be read by 3D imaging technology. Paintings fail this test.
Pollen from the Shroud is not only from the Jerusalem area, but from Turkey and the other places the Shroud is supposed to have resided. Dust from the area of the image by the knees and feet is from the area around Jerusalem. The Shroud details are perfectly consistent with first-century Jewish burial customs.
There are even microscopic traces of the flowers that would have been used in the burial-flowers that grew locally and were known to be used for burial. In addition, traces of the spices used for Jewish burial have been discovered. The bloodstains on the Shroud are real human blood, not paint.